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Heart Attack Grill

Submitted by Robblink on Sun, 11/19/2006 - 21:53.

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gossip

Finally, truth in advertising! There's a theme restaurant in Tempe Arizona named Heart Attack Grill that sells hamburgers called The Single Bypass, Double Bypass and Triple Bypass! Plus, there are french fries fried in lard and if that doesn't kill you, cigarettes! To make you feel better, the waitresses there wear sexy nurses outfits.

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Submitted by silver3 on Mon, 11/20/2006 - 15:16.

I've chowed here and it could only get better if you ate it off a stripper.

I'm on Lipitor now though.

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Submitted by Dabitch on Sat, 05/10/2008 - 12:17.

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Submitted by Allan1 on Mon, 05/12/2008 - 14:20.

In the same vein (but with humor):

http://www.snopes.com/medical/myths/overweight.asp.

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Built by Rugby. Forged in Union (2008) :30 (Australia)

Submitted by Dabitch on Fri, 05/16/2008 - 14:22.

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.sports & sportsgear (ads)

See those thighs, thick as tree trunks and all muscle? They're the reason I get all weak in the knees when watching Rugby.

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Mike's Hard Lemonade - New Product / We don't do soy - (2008) :30 (USA)

Submitted by Dabitch on Fri, 05/16/2008 - 13:25.

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.drinks -alco, soft, natural & not (ads)

"Mikes double caffinated soy Lemonade". Suuure!
Agency: Amalgamated

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Audi RS6 - Gymnasts - (2008) :60 (UK)

Submitted by Dabitch on Fri, 05/16/2008 - 11:45.

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.cars & metal - things that go (ads)

Cut + Run Editor Andy McGraw recently completed a global spot for Audi through BBH London which is currently airing in the UK and will soon launch in the US. Directed by the ever- innovative Paul Hunter, the commercial is a stylized, choreographed merging of man and machine and the embodiment of human engineering.

Cut to a rhythmic track that includes actual Audi RS6 sounds recorded at a racetrack, "Gymnasts," features a cadre of gymnasts twisting, twirling and moving with precision. It is homage to the RS6's powerful engineering that demands "performance from every part."

"It was an honor to cut for Paul Hunter and an exciting project for many reasons, "says editor McGraw. "It required a combination of cutting to music and accurate comping of multiple layers to get exact timings. It's a great example of how all of the production and post elements come together with powerful effect."